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Sati
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Tests Rama / Realises Rama
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The myths, lunar calendar schedule, rituals, and celebrations of major Hindu cultural festivities such as Holi, Diwali and Durga Puja are in the Puranic literature.
The most significant influence of the Puranas genre of Indian literature has been, stated scholars and particularly Indian scholars, in "culture synthesis", in weaving and integrating the diverse beliefs from ritualistic rites of passage to Vedantic philosophy, from fictional legends to factual history, from individual introspective yoga to social celebratory festivals, from temples to pilgrimage, from one god to another, from goddesses to tantra, from the old to the new. These have been dynamic open texts, composed socially, over time. This, states Greg Bailey, may have allowed the Hindu culture to "preserve the old while constantly coming to terms with the new", and "if they are anything, they are records of cultural adaptation and transformation" over the last 2,000 years.
The Puranic literature, suggests Khanna, influenced "acculturation and accommodation" of a diversity of people, with different languages and from different economic classes, across different kingdoms and traditions, catalyzing the syncretic "cultural mosaic of Hinduism". They helped influence cultural pluralism in India and are a literary record thereof.
Om Prakash states the Puranas served as an efficient medium for cultural exchange and popular education in ancient and medieval India. These texts adopted, explained, and integrated regional deities such as Pashupata in Vayu Purana, Sattva in Vishnu Purana, Dattatreya in Markendeya Purana, Bhojakas in Bhavishya Purana. Further, states Prakash, they dedicated chapters to "secular subjects such as poetics, dramaturgy, grammar, lexicography, astronomy, war, politics, architecture, geography and medicine as in Agni Purana, perfumery and lapidary arts in Garuda Purana, painting, sculpture and other arts in Vishnudharmottara Purana".
The study of Puranas manuscripts has been challenging because they are highly inconsistent. This is true for all Mahapuranas and Upapuranas. Most editions of Puranas, in use particularly by Western scholars, are "based on one manuscript or on a few manuscripts selected at random", even though divergent manuscripts with the same title exist. Scholars have long acknowledged the existence of Purana manuscripts that "seem to differ much from the printed edition", and it is unclear which one is accurate, and whether conclusions drawn from the randomly or cherrypicked printed version were universal over geography or time.[This problem is most severe with Purana manuscripts of the same title, but in regional languages such as Tamil, Telugu, Bengali, and others which have largely been ignored.
Modern scholarship noticed all these facts. It recognized that the extent of the genuine Agni Purana was not the same at all times and in all places and that it varied with the difference in time and locality. (...) This shows that the text of the Devi Purana was not the same everywhere but differed considerably in different provinces. Yet, one failed to draw the logical conclusion: besides the version or versions of Puranas that appear in our [surviving] manuscripts, and fewer still in our [printed] editions, there have been numerous other versions, under the same titles, but which either have remained unnoticed or have been irreparably lost.
— Ludo Rocher, The Puranas
The Puranas are not spiritually partisan, states Bryant, but "accept and indeed extol the transcendent and absolute nature of the other, and of the Goddess Devi too".
[The Puranic text] merely affirm that the other deity is to be considered a derivative manifestation of their respective deity, or in the case of Devi, the Shakti, or power of the male divinity. The term monotheism, if applied to the Puranic tradition, needs to be understood in the context of a supreme being, whether understood as Vishnu, Shiva or Devi, who can manifest himself or herself as other supreme beings.
— Edwin Bryant, Krishna: The Beautiful Legend of God: Srimad Bhagavata Purana
Ludo Rocher, in his review of Puranas as sectarian texts, states, "even though the Puranas contain sectarian materials, their sectarianism should not be interpreted as exclusivism in favor of one god to the detriment of all others"
The Jaina Puranas are like Hindu Puranas encyclopedic epics in style, and are considered as anuyogas (expositions), but they are not considered Jain Agamas and do not have scripture or quasi-canonical status in Jainism tradition.They are best described, states John Cort, as post-scripture literary corpus based upon themes found in Jain scriptures
Several Puranas, such as the Matsya Purana,list "five characteristics" or "five signs" of a Purana. These are called the Pancha Lakshana ( pañcalakṣaṇa), and are topics covered by a Purana:
A few Puranas, such as the most popular Bhagavata Purana, add five more characteristics to expand this list to ten:
These five or ten sections weave in biographies, myths, geography, medicine, astronomy, Hindu temples, pilgrimage to distant real places, rites of passage, charity, ethics, duties, rights, dharma, divine intervention in cosmic and human affairs, love stories, festivals, theosophy and philosophy. The Puranas link gods to men, both generally and in religious bhakti context. Here the Puranic literature follows a general pattern. It starts with introduction, a future devotee is described as ignorant about the god yet curious, the devotee learns about the god and this begins the spiritual realization, the text then describes instances of God's grace which begins to persuade and convert the devotee, the devotee then shows devotion which is rewarded by the god, the reward is appreciated by the devotee and in return performs actions to express further devotion.
The Puranas, states Flood, document the rise of the theistic traditions such as those based on Vishnu, Shiva and the goddess Devi and include respective mythology, pilgrimage to holy places, rituals and genealogies. The bulk of these texts in Flood's view were established by 500 CE, in the Gupta era though amendments were made later. Along with inconsistencies, common ideas are found throughout the corpus but it is not possible to trace the lines of influence of one Purana upon another so the corpus is best viewed as a synchronous whole. An example of similar stories woven across the Puranas, but in different versions, include the lingabhava – the "apparition of the linga". The story features Brahma, Vishnu, and Shiva, the three major deities of Hinduism, who get together, debate, and after various versions of the story, in the end the glory of Shiva is established by the apparition of linga. This story, state Bonnefoy, and Doniger, appears in Vayu Purana 1.55, Brahmanda Purana 1.26, Shiva Purana's Rudra Samhita Sristi Khanda 15, Skanda Purana's chapters 1.3, 1.16 and 3.1, and other Puranas.
The texts are in Sanskrit as well as regional languages, and almost entirely in narrative metric couplets
The texts use ideas, concepts and even names that are symbolic. The words can interpreted literally, and at an axiological level. The Vishnu Purana, for example, recites a myth where the names of the characters are loaded with symbolism and axiological significance. The myth is as follows,
The progeny of Dharma by the daughters of Daksha were as follows: by Sraddhá (devotion) he had Kama (desire); by Lakshmí (wealth, prosperity), was born Darpa (pride); by Dhriti (courage), the progeny was Niyama (precept); by Tusht́i (inner comfort), Santosha (contentment); by Pusht́i (opulence), the progeny was Lobha (cupidity, greed); by Medhá (wisdom, experience), Sruta (sacred tradition); by Kriyá (hard work, labour), the progeny were Dańd́a, Naya, and Vinaya (justice, politics, and education); by Buddhi (intellect), Bodha (understanding); by Lajjá (shame, humility), Vinaya (good behaviour); by Vapu (body, strength), Vyavasaya (perseverance). Shanti (peace) gave birth to Kshama (forgiveness); Siddhi (excellence) to Sukha (enjoyment); and Kírtti (glorious speech) gave birth to Yasha (reputation). These were the sons of Dharma; one of whom, Kama (love, emotional fulfillment) had baby Hersha (joy) by his wife Nandi (delight).
The wife of Adharma (vice, wrong, evil) was Hinsá (violence), on whom he begot a son Anrita (falsehood), and a daughter Nikriti (immorality): they intermarried, and had two sons, Bhaya (fear) and Naraka (hell); and twins to them, two daughters, Máyá (deceit) and Vedaná (torture), who became their wives. The son of Bhaya (fear) and Máyá (deceit) was the destroyer of living creatures, or Mrityu (death); and Dukha (pain) was the offspring of Naraka (hell) and Vedaná (torture). The children of Mrityu were Vyádhi (disease), Jará (decay), Soka (sorrow), Trishńa (greediness), and Krodha (wrath). These are all called the inflictors of misery, and are characterised as the progeny of Vice (Adharma). They are all without wives, without posterity, without the faculty to procreate; they perpetually operate as causes of the destruction of this world. On the contrary, Daksha and the other Rishis, the elders of mankind, tend perpetually to influence its renovation: whilst the Manus and their sons, the heroes endowed with mighty power, and treading in the path of truth, as constantly contribute to its preservation.
— Vishnu Purana, Chapter 7, Translated by Horace Hayman Wilson
The colonial era scholars of Puranas studied them primarily as religious texts, with Vans Kennedy declaring in 1837, that any other use of these documents would be disappointing.John Zephaniah Holwell, who from 1732 onwards spent 30 years in India and was elected Fellow of the Royal Society in 1767, described the Puranas as "18 books of divine words". British officials and researchers such as Holwell, states Urs App, were orientalist scholars who introduced a distorted picture of Indian literature and Puranas as "sacred scriptures of India" in 1767. Holwell, states Urs App, "presented it as the opinion of knowledgeable Indians; But it is abundantly clear that no knowledgeable Indian would ever have said anything remotely similar".
Modern scholarship doubts this 19th-century premise.Ludo Rocher, for example, states,
I want to stress the fact that it would be irresponsible and highly misleading to speak of or pretend to describe the religion of the Puranas.
— Ludo Rocher, The Puranas
The study of Puranas as a religious text remains a controversial subject. Some Indologists, in colonial tradition of scholarship, treat the Puranic texts as scriptures or useful source of religious contents.Other scholars, such as Ronald Inden, consider this approach "essentialist and antihistorical" because the Purana texts changed often over time and over distance, and the underlying presumption of they being religious texts is that those changes are "Hinduism expressed by a religious leader or philosopher", or "expressiveness of Hindu mind", o
The Puranas, states Kees Bolle, are best seen as "vast, often encyclopedic" works from ancient and medieval India.Some of them, such as the Agni Purana and Matsya Purana, cover all sorts of subjects, dealing with – states Rocher – "anything and everything", from fiction to facts, from practical recipes to abstract philosophy, from geographic Mahatmyas (travel guides) to cosmetics, from festivals to astronomy. Like encyclopedias, they were updated to remain current with their times, by a process called Upabrimhana. However, some of the 36 major and minor Puranas are more focused handbooks, such as the Skanda Purana, Padma Purana and Bhavishya Purana which deal primarily with Tirtha Mahatmyas (pilgrimage travel guides), while Vayu Purana and Brahmanda Purana focus more on history, mythology and legends.
The relation of the Puranas with Vedas has been debated by scholars, some holding that there's no relationship, others contending that they are identical. The Puranic literature, stated Max Muller, is independent, has changed often over its history, and has little relation to the Vedic age or the Vedic literature. In contrast, Purana literature is evidently intended to serve as a complement to the Vedas, states Vans Kennedy.
Some scholars such as Govinda Das suggest that the Puranas claim a link to the Vedas but in name only, not in substance. The link is purely a mechanical one. Scholars such as Viman Chandra Bhattacharya and PV Kane state that the Puranas are a continuation and development of the Vedas. Sudhakar Malaviya and VG Rahurkar state the connection is closer in that the Puranas are companion texts to help understand and interpret the Vedas.K.S. Ramaswami Sastri and Manilal N. Dvivedi reflect the third view which states that Puranas enable us to know the "true import of the ethos, philosophy, and religion of the Vedas".
Barbara Holdrege questions the fifth Veda status of Itihasas (the Hindu epics) and Puranas. The Puranas, states V.S. Agrawala, intend to "explicate, interpret, adapt" the metaphysical truths in the Vedas. In the general opinion, states Rocher, "the Puranas cannot be divorced from the Vedas" though scholars provide different interpretations of the link between the two. Scholars have given the Bhagavata Purana as an example of the links and continuity of the Vedic content such as providing an interpretation of the Gayatri mantra.
Scholars have debated whether the Puranas should be categorized as sectarian, or non-partisan, or monotheistic religious texts. Different Puranas describe a number of stories where Brahma, Vishnu, and Shiva compete for supremacy. In some Puranas, such as Devi Bhagavata Purana, the Goddess Devi joins the competition and ascends for the position of being Supreme. Further, most Puranas emphasize legends around one who is either Shiva, or Vishnu, or Devi. The texts thus appear to be sectarian. However, states Edwin Bryant, while these legends sometimes appear to be partisan, they are merely acknowledging the obvious question of whether one or the other is more important, more powerful. In the final analysis, all Puranas weave their legends to celebrate pluralism, and accept the other two and all gods in Hindu pantheon as personalized form but equivalent essence of the Ultimate Reality called Brahman
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Vayaviya Samhita (7.1.1. 37-38) –
sanksipya caturo vedams caturdha vyabhajat prabhuh
vyasta-vedataya khyato veda-vyasa iti smrtah
puranam api sanksiptam· catur-laksa-pramanatah
adyapyamartya-loke tu sata-koti-pravistaram
sanksiptam ityatra teneti sesah
"That Lord who is most intelligent then divided the Vedas into four. He therefore became known as Veda Vyasa. He also summarized the Puranas into four-hundred-thousand verses which are still available in the heavenly domain in the form if one billion verses."
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Matsya Purana (53.65, 68-69) states –
pancangam ca puranam syad akhyanam itarat smrtam
sattvikesu ca kalpesu mahatmyam adhikam hareh
rajasesu ca mahatmyam adhikam brahmano viduh
tadvad agnes ca mahatmyam tamasesu sivasya ca
sankirnesu sarasvatyah pitrnam ca nigadyate
" A Purana consists of five elements, as opposed to an Akhyana. 6 The sattvikaPuranasglorify Hari; the rajasika Puranas glorify Brahma, and the tamasikaPuranas glorify Siva and Agni. Puranas dealing with mixed modes of nature glorify Sarasvati and the fore-fathers." 7
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Matsya Purana (53.8-9)wherein the Lord says –
kalenagrahanam matva puranasya dvijottamah
vyasa-rupam aham krtva samharami yuge yuge
"O best of the brahmanas, understanding that the Purana would gradually become forgotten, in every yuga I appear in the form of Vyasa and condense it."
In the next sloka of that Purana, the Lord continues –
catur-laksa-pramanena dvapare dvapare sada
tad astadasadha krtva bhur-loke’smin prabhasyate
adyapyamartya-loke tu sata-koti-pravistaram
tad artho’tra catur-laksah sanksepena nivesitah
"The Purana contains four-hundred-thousand verses which is divided into eighteen parts. These are passed on via oral tradition every Dvapara-yuga on the earth-planet. Even today the original Purana which consists of one-billion verses exists in the heavenly planets. The essential meaning of that Purana is contained in the smaller version of four-hundred-thousand verses."
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In the Prabhasa-khanda of the Skanda Purana (5.3.121-124) it is said –
veda-van niscalam manye puranartham dvijottamah
vedah pratisthitah sarve purane natra samsayah
bibhety-alpa-srutad vedo mam ayam calayisyati
itihasa-puranais tu niscalo’yam krtah purah
yan na drstam hi vedesu tad drstam smrtisu dvijah
ubhayor yan na drstam hi tat puranah pragiyate
yo veda caturo vedan sangopanisado dvijah
puranam naiva janati na ca sa syad vicaksana
" O best of the brahmanas, the meaning of the Puranas is unchanging just like that of the Vedas. The Vedas are all sheltered within the Puranas without a doubt. The Veda has a fear that unqualified people will read her and then distort her meaning. Thus, the significance of the Veda was fixed in the Puranas and Itihasas. That which is not found in the Vedas is found in the Smrti. That which is not found in the Smrti is to be found in the Puranas. Those who know even the Vedas and Upanisads are not learned if they do not know the Puranas."
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